- #Jai wolf lost instrumentals movie#
- #Jai wolf lost instrumentals full#
- #Jai wolf lost instrumentals tv#
“Everyday,” which sounds something like Dolly Parton’s “Here You Come Again” covered by a genderbent Father John Misty, is the punchiest pop song she’s ever done. Everything is bigger and lusher and more ornate. Titanic Rising, co-produced by Foxygen’s Jonathan Rado, is less of a departure from that sound than an expansion, but it still feels like a leap forward. But on her 2016 breakthrough Front Row Seat To Earth, she married that sensibility to honest-to-god pop music. Mering got her start playing with noisy, experimental acts like Jackie-O Motherfucker and Ariel Pink, and her earliest solo work was haunted, gothically art-damaged folk. Maybe that’s because the album is so damn pretty. I guess there’s something in the air.)ĭespite all that foreboding, Titanic Rising doesn’t feel hopeless. Louis emo band Foxing recently used it as the title of their own album-length grappling with the apocalypse. (“Nearer, My God, To Thee” also plays in the doomsday video that CNN will air at the end of the world, and the St. “Everyone’s broken now/ And no one knows just how/ We could have/ All gotten so far/ From truth,” she sings on “Wild Time,” before adding, almost sardonically, “It’s a wild time/ To be alive.” Tellingly, the album begins and concludes with two different arrangements of the hymn “Nearer, My God, To Thee,” the song that the band on the Titanic supposedly played as the ship went down. “At night I just lay down and cry,” Mering admits on the spacey slide-guitar ballad “Something To Believe,” before asking, “Give me something I can see/ Something bigger and louder than the voices in me/ Something to believe.” On the stripped-down penultimate track “Picture Me Better,” she says that’s she’s “Waiting for the call from beyond/ Waiting for something with meaning/ To come through soon.” And she’s not alone. It’s Mering taking stock of what it means to be alive in the year of our lord 2019, searching for meaning and love and connection in an era that feels on the precipice of an apocalypse, the personal and the political all wrapped up in a tense knot of uncertainty. Imagery of rising tides abounds, but Titanic Rising isn’t really about climate change.
#Jai wolf lost instrumentals full#
Instead, it’s a decisively modern album, born out of the modern world, full of modern fears and anxieties. She says it herself: “I wanna be in my own movie/ I wanna be the star of mine.”Īs much as Weyes Blood sounds like the past, though, Titanic Rising isn’t mere pastiche. She wants to place herself in that lineage, connect herself to something larger. “I know the meaning/ I know the story/ I know the glory/ I love movies.” And you can hear that in her music, too, with its lushly orchestrated throwback to the golden age of ’70s singer-songwriter pop and ’60s Laurel Canyon folk, two musical traditions intimately entwined with the mythical history of her Los Angeles home. “The meaning of life doesn’t seem to/ Shine like that screen,” she sings on album centerpiece “Movies,” an ode to cinema as the modern myth-making device.
![jai wolf lost instrumentals jai wolf lost instrumentals](https://geo-media.beatport.com/image_size/1400x1400/49343b23-d0a6-434e-8bcd-febda11a6b43.jpg)
You get the sense that these kinds of myths and movies are the lens through which Mering sees the world.
![jai wolf lost instrumentals jai wolf lost instrumentals](https://i1.wp.com/bassstud.in/wp-content/uploads/2018/08/jai-wolf.jpg)
“I feel like it’s kind of ridiculously parallel and the concept of Titanic Rising is more like this slow-moving hubris of man, flooding humanity in a pace that we can’t fully comprehend.”
![jai wolf lost instrumentals jai wolf lost instrumentals](https://aaabackstage.com/aaa_2015/wp-content/uploads/2016/06/JaiWolf.jpg)
“It just feels so appropriate for the times, because the ship crashed into an iceberg and because for us now the glaciers and the ice is melting, and instead of the ship sinking, third world countries are sinking,” Mering explained in a recent interview.
#Jai wolf lost instrumentals movie#
To Weyes Blood’s Natalie Mering, Titanic Rising represents the literal rising tide of climate change, and it’s a sequel not just to Titanic the movie but to the sinking of the actual ship. Weyes Blood’s new album is also called Titanic Rising, but it’s no joke. It becomes something tragic - a symbol of irreparable loss, a warning about meddling with forces we don’t quite understand, a marker of the kind of slow decline we don’t even notice until it’s too late. But as the show continues, the significance of Titanic Rising changes. In an elaborate prank, one soldier convinces another that Titanic Rising really exists. It’s a made-up movie, a nonexistent sequel to James Cameron’s 1997 blockbuster Titanic.
#Jai wolf lost instrumentals tv#
In Homecoming, the narrative fiction podcast turned Julia Roberts-starring Amazon TV series, Titanic Rising is a joke.